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About Kabir Bijak
‘Bijak’ is a collection of sayings by Kabir Das ji on Indian society and various religions and religions. This is one of the most original texts and collection of Vanis of Kabir Das. This is a kind of guide and religious book for Kabir Panthi people. This is such a composition in which Kabir Das ji’s revolutionary outlook has come in front of the society.
We see that Kabir expresses the spontaneous experience in a free form, then the use of similar ornaments is presented in a gradual form or after being superimposed, in the form of a holistic image. That is said in the imagination of union with the Supreme. Sangopang has been presented as a metaphor for the citadel of worldly life and through its law it is imagined to be free and attain the supreme position.
Worldly Maya has to be conquered, it has double walls and a deep chasm, in this life it is considered a difficult siege of Maya. Then the combination of simile and simile goes on. Lust is the doorkeeper, sorrow is the doorkeeper, anger is the main thing, greed is the one who creates a lot of trouble. Its ruler is the king of the mind. Further, in the imagination of metaphor, the decoration of the soldiers of this mind-like king is described. All these are active in the human body, so it is getting complicated to win the battle on the fort. In the further sequence, the depiction of the path of spiritual practice goes on in the method of metaphor.
And the war goes on – the fight goes on with Satya-Santosh and the gates of the fort are broken and the king of the fort is caught by the company of saints and Guru’s grace. In this whole picture, the image-scheme has succeeded in euphemism at the artistic level.
In order to express the status of the creature in the worldly life, the oneness of the soul and the Brahma, a combination of figures of speech like example, illustration, simile and meaning-interpretation has been made, and in it, the allegory of song form presents a vivid image of experience. . In order to express this experience, images and pictures of the unprepared keep on being marked.
After that the following picture changes. Presents the poetic level of Sahaj Sadhana, in which symbolism has been used in the games of Nut, Juggernaut and Garudi. Having found their ‘Yukti’, poison does not affect them, the attraction of the senses does not befall them, and the effect of poison surrounds them and at this level of spiritual practice, the experience of the supreme element becomes easy.
The poet does a very poignant low-law of his compassionate position in the midst of worldly illusion. The picture develops gradually “In worldly life, lust-anger-ego has prevailed and one cannot get rid of the illusion of Maya. This klep which started with point form origin could never get rid of it. The worldly elements and the senses of the creature are losing it together in life. Maya Bhamini is biting the body and mind in the form of snakes. Due to which there is no limit to the rising waves. Without meeting Garudi in the form of Guru, dreadful poison is prevailing in life.
Expressing anguish with this image of worldliness, the poet expresses the desire of ‘Deedar’ of his deity. In this sequence, considering the village as a symbol of worldliness, a complete picture has been created with the law of many types of unpresentable. Various characters of village life and its system have been symbolically expressed in this creative legislation. Being freed from the attractions of Maya, in the expression of self-realization, imagery has been done with a special combination of metaphors – Now I do not know how to dance, nor my mind is playing the drum.